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在中国山水画史,沈周通过继承“元四家”的传统而成为后来“吴门画派”的宗师,是一位标准的隐逸型文人画家。这正符合自张彦远以来在观念上对两种真正画家类型即“自古善画者,莫非衣冠贵胄,逸士高人”的期许。本文试图围绕他成熟时期一张山水作品,即苏州博物馆藏《岸波图》卷,来描摹沈周作为一位“逸士高人”类型的文人画家形象。
In the history of Chinese landscape painting, Shen Zhou became the master of the “Wu Men School” by inheriting the tradition of “Yuan 4 Family”, and was a standard reclusive scholar of painting. This is in line with the expectations of Zhang Yanyuan since the concept of the two types of real painters, “since ancient times, good painter, expensive nobleman, high esteem” expectations. This article attempts to describe Shen Zhou as a literary painter of type “A Better Man” by focusing on a landscape painting in his mature period, the “Shore Wave” volume of Suzhou Museum.