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展望的雕塑作品在中央美院画廊展出时,是以一种近似于装置的形态出现的。作品主要集中在画廊的后厅,灯光集中在展厅中间的雕塑上,从前厅看过去,象是面对着一个凝固的舞台表演,一些幽灵似的影子在黑暗中浮动、挣扎。如果将展望设计的环境、装置和雕塑作为一个整体来看,就会感到他实际上构造了一个复杂的语言系统,而且他力求在这个系统的每一个部分都实现一种创造,一种对规范的突破。这个语言系统包括技术的程序、人的造型、装置的构造和环境的设计,传统雕塑的形式概念在这个系统中显得无足轻重,但又正是在雕塑的传统主题——人的观念上把这些不同的
The sculptures on the horizon are presented in a form similar to the installation of the sculptures on display at the Central Academy of Fine Arts. The works are mainly concentrated in the backstage of the gallery. The lights are concentrated on the sculpture in the middle of the exhibition hall. Looking through the lobby, it is like facing a frozen stage performance. Some ghost-like shadows float in the darkness and struggle. If we look at the design environment, installation and sculpture as a whole, he will feel that he actually constructs a complex linguistic system, and he seeks to achieve a creation in every part of the system, Breakthrough. The linguistic system consists of technical procedures, human modeling, the construction of devices and the design of the environment. The notion of the formal form of traditional sculpture is insignificant in this system, but it is precisely in the traditional theme of sculpture, the notion of man, that these differences of