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鲁奇诺·维斯康蒂(1906-1976)是意大利新现实主义电影大师,乔治·萨杜尔在《世界电影史》中,把他与罗西里尼、德·西卡并称为新现实主义的三位大师。在创作的晚期,其电影发生了巨大转向,开始关注贵族世界,拍摄了《豹》、《魂断威尼斯》、《路德维希》、《家族的肖像》等多部展现贵族生活的影片。影片的风格从纪实、朴素转变为极尽铺张和奢华,作为一名贵族后裔,在他奢华的贵族电影中,隐藏了对过去世界的深刻怀念以及对现实世界的无奈反抗。
Lucino Visconti (1906-1976) is a master of Italian neo-realist cinema, and George Sadul, in his book The World Cinema, calls him and Rossellini and de Sika the new reality Three masters ofism. In the later period of his creation, his film turned a great deal and started to pay attention to the world of aristocrats. Films such as Leopard, Scenics in Venice, Ludwig, and Portrait of the Family were also filmed. The style of the film has changed from documentary, simple to extravagant and extravagant. As an aristocrat’s descendant, in his luxurious aristocratic films, he hides his deep memory of the past world and the revulsion against the real world.