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王家卫认为《一代宗师》还未完美——电影哪有完美,其实所有的故事都还是那个故事,属于王家卫的故事。这一次,王家卫不再痴缠于情感,而是放任自己的思维代入或抽离于功夫的天地。不要被片头的那场连水滴都清晰可见的打斗戏骗了,这依然是属于王家卫的片子,拳脚只是隐于功夫内涵之下的展示,一招一式都有着它的来源,从这一点来说,王家卫是考据派,不再执著于特效、吊威亚,绚丽的镜头有营造暴力美学的嫌疑,不过十分内敛。一横一竖,代表着成功与失败,站起来的那个人才有机会往前走,功夫的首要因素当然是防身,进攻,每个执著于用拳脚说话的地方,就是
Wong Kar-Wai believes that “a generation of master” is not perfect - how perfect the movie, in fact, all the stories are still the story belongs to Wong Kar-Wai’s story. This time, Wong Kar-Wai no longer obsessed with emotion, but let their own thinking into or away from the kung fu world. Do not be the opener that even the drops of water are clearly visible fight fool, this is still part of Wong Kar-Wai’s film, fists just implied in Kung Fu under the meaning of the show, one by one has its own source, from this point , Wong Kar-Wai is a textual criticism sent, no longer attached to the special effects, hanging Weiya, magnificent lens suspects the creation of violence aesthetics, but very restrained. A horizontal, vertical, representing the success and failure, stand up that person have the opportunity to move forward, the primary factor of course, Kung Fu is self-defense, offensive, each obsessed with the fist to speak in place is