论文部分内容阅读
中国古典舞的创建在1949年后,其落脚点在戏曲。据创建者之一的唐满成回忆:“说戏曲是古典舞的基础,其实是我的舅舅欧阳予倩先生提出来的……他说,中国历史上的舞蹈是断代——有资料,但是没有形象;有形式,但是没有动作。那么戏曲呢,是看得见、摸得着、学得来的,是一个很具体的东西……中国独立的舞蹈形式慢慢消失,为了表现情感,表现人物,表现形象或是表现故事,大量的动作语汇就汇总到戏曲当中了。所以说我们今天要创建一个中国古典舞,必须以戏曲作为我们的一个基础。欧阳予倩先生是搞戏剧的,
After the establishment of Chinese classical dance in 1949, its foothold in the opera. Tang Man-cheng, one of the founders, recalled: ”Drama is the basis of classical dance. Actually, it is put forward by my uncle Ouyang Yuqian ... He said that the dance in Chinese history is an anachronism - there is information, but no Image, form, but no action. So opera, is visible, touching, learned, is a very specific thing ... ... China’s independent form of dance slowly disappear, in order to express the emotions, the performance of people , The performance of the image or the performance of the story, a large number of action words into the drama of the summary.Therefore, we want to create a Chinese classical dance today, we must take the drama as our foundation.Ouyang Yuqian is engaged in drama,