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商周时期,鼎、簋、盘、匜等青铜礼器的铭文部位与排列形式比较简单,虽然并不固定,但一般都集中一处且首尾分明,极少出现一篇铭文分载数器的现象~([1])。乐器铭文则复杂得多,不但铭无定位,铭文的起讫与不同部位间的衔接常不易弄清。其全铭组合关系也很复杂,有单钟全铭,有合二钟、三钟、四钟甚至十六钟而全铭。这些现象看似纷繁,但在一定时间、地域范围内,又存在某些规律。如果我们能把握这些规律,不但有益于铭文的通读,对器物的断代也有一定的参考价值。特别是新器出土匜
During the Shang and Zhou dynasties, inscription parts and arrangements of bronze vessels, such as pottery, pottery, bamboo and bronze vessels, were relatively simple in inscriptions, though they were not always fixed. However, they were generally concentrated in one place with few inscriptions, Phenomenon ~ ([1]). Instrument inscriptions are much more complex, not only Ming no orientation, inscriptions starting and ending and the connection between different parts is often not easy to find out. The Ming-Ming combination of relations is also very complicated, there is a single full Ming, with two, three, four or even sixteen minutes and Ming. These phenomena may seem numerous and complicated, but certain rules exist in a certain period of time and in a geographical area. If we can grasp these rules, it will not only benefit the inscription read-through, but also have some reference value to the dynasty of artifacts. Especially the new device unearthed 匜