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在波普艺术语言的“因果链”上,最远应该追溯到马塞尔·杜尚及以他的艺术观念为宗旨的达达主义。虽然波普艺术家所用的的“拼贴手法,最早起源于立体主义艺术,但立体主义并不是波普艺术的直接根源。在这条”因果链“上,最初明确波普艺术语言并划定其范围的是理查德·汉密尔顿,最有效地使用波普艺术语言,并获得最大成果的是安迪·沃霍尔。至于罗伯特·劳森伯格和贾斯帕·约翰斯,虽然他们与波普艺术紧紧地捆绑在一起,但他们只是抽象表现主义向波普艺术过渡中不可缺少的人物。
In Pop Art’s ”causal chain,“ the furthest point goes back to Marcel Duchamp and Dadaism, which is based on his artistic concept. Although the ”collage technique“ used by Pop artists originated in Cubist art first, Cubism is not the direct root cause of pop art. In this ”causal chain," the first definition of pop art language The area delineated was Richard Hamilton, the most effective use of the Pop Art language, and the greatest achievement was Andy Warhol. As for Robert Rauschenberg and Jasper Johns, though They are closely bound up with pop art, but they are just the indispensable figures in the transition from abstract expressionism to pop art.