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伟大的时代产生杰出的戏剧。这仿佛是社会科学里的法则。戏剧发展的趋向在证明,一切传统的格局、界定,在逐渐退到一个狭小的阵地。苍白无力的庸俗社会学更显得黯然神伤。一句话,传统的思维定势在搅扰,在困惑,在分化。就广阔的社会生活来说,传统的文化心理也面临着现实主义戏剧的严重挑战。小而言之,“关东戏剧”在向本体发展。在按着戏剧的本质规律,探究关东人的文化心理,应该说这是关东戏剧发展的必由之路。关东,这块广袤的土地,当新世纪的曙光,给她以新生的时候,她带着几分粗扩,几分野性,甚至还有几分羞涩,叩响了现代
Great times produce outstanding drama. This seems to be the law in the social sciences. The trend of dramatic development proves that all the traditional patterns and definitions are gradually withdrawn from a narrow position. Pale vulgar sociology even more sad. In short, the traditional way of thinking is to disturb, be confused and differentiate. For the vast social life, the traditional cultural psychology is also facing serious challenges of the realism drama. In short, “Kanto Theater” is developing ontology. In accordance with the essence of the drama of the law to explore the cultural psychology of people in the Kanto, it should be said that this is the only way Kanto drama development. Kanto, this vast land, when the dawn of the new century, gave her a freshman, she took a bit rough expansion, a bit of wild, and even somewhat shy, knocked on the modern