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1994年,张抗抗的长篇小说《赤彤丹朱》出版之后,我写过一篇评论文章,说她走进了历史,今年4月,张抗抗又推出了长篇新作《情爱画廊》。这部小说让我感到张抗抗走近了读者。《情爱画廊》与张抗抗以往的作品相比,最大的不同,是小说的整体面貌(通常所说的内容和形式),变得世俗化了,或者说,小说呈现出浓重的“下里巴人”色彩。在《隐形伴侣》中,对现代派叙事方式的摹似和操作;在《赤彤丹朱》中。
In 1994, after Zhang’s publication of “Red Tomb Danzhu”, a novel written by Zhang Kang resistance, I wrote a review article saying that she went into history. In April this year, Zhang Kang resistance launched a new novel, Love Gallery. The novel made me feel anti-Zhang approached the reader. The biggest difference between “Love Gallery” and Zhang Kang’s previous works is the overall appearance of the novel (commonly referred to as the content and form), which has become secularized, or that the novel shows a “sub-Nepalese” color. In the Invisible Companion, the analogy and operation of the modernist narrative style; in “Red Tong Dan Zhu”.