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数千年中华文明史告诉我们,由手工艺人创造或制造的工艺美术品,和由文化人创造的纯艺术品最大的不同之处,或许就在于:“艺术化”与“生活化”的和谐相处,“贵族化”与“平民化”的平衡共进。然而,新时期尤其是新世纪以来,这一维持了数千年的和谐与平衡却在稍稍地发生变化,甚至快速产生倾斜。由中国艺术研究院连续举办的三届“中国当代工艺美术双年展”即是一个很好的例证。仔细而全面地分析这三届约两千件参展作品,我们不难发现,“双年展”在集中展示当代中国工艺美术最新创作成果的同时,也突显了中国工艺美术创作已经呈现的
The history of thousands of years of Chinese civilization tells us that the greatest difference between arts and crafts created or manufactured by handicraftsmen and pure art created by cultural people may lie in the fact that artistry and life are “Harmony, ” aristocratic “and ” civilians “the balance of progress. However, since the new era, especially the new century, the harmony and balance that lasted for thousands of years have changed slightly or even rapidly. The three consecutive ”Biennials of Contemporary Chinese Arts and Crafts“ organized by the China Academy of Art are a good example. Careful and comprehensive analysis of these three sessions of about 2,000 exhibiting works, we can easily find that the ”Biennale" focuses on presenting the latest creations of contemporary Chinese arts and crafts while highlighting the fact that the creation of Chinese arts and crafts has already taken place