论文部分内容阅读
邓箭今作品中有特别强烈的剧场感:一些作品的背景就有一个幕布,像一场戏剧正在上演,剧场中间上演着各种重口味的剧情,有一种仪式化的味道。再一个,就是邓箭今近些年的作品在笔触表现上,更具有流动性,甚至可以说是更飘逸,有一种水墨技艺的表现力。邓箭今表现这样一种具有情欲性的画面,持续了相当长的一段时期,那么,又是什么触动了他去表达这些?我们知道,邓箭今平时喜欢阅读谈欲望、心理学、精神分析学一类的书籍,也喜欢看类似分析创伤、欲望、禁忌的电影。他特别关注的是,要表
There is a particularly strong sense of theater in Deng Jianjin’s work: some works have a curtain in the background, like a drama being staged, a variety of heavy-flavored dramas in the middle of the theater, and a ritualistic taste. Another, that is, Deng Jianjin works in recent years in the performance of the brushstrokes, more mobility, and even can be said to be more elegant, there is a manifestation of ink techniques. Deng Jian-jin’s performance of such a sentimental picture lasted a long period of time. So, what touched him to express these? We know that Deng Jianjin usually likes to read about desire, psychology and psychoanalysis Learn a class of books, but also like to see a similar analysis of trauma, desire, taboo movies. He is particularly concerned about the need to table