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刘龙庭(人民美术出版社编审):振宽的画,我认为是有学术品位的中国画。画有南北宗,振宽无论从他的风格、气质、画面表现,当然是北宗山水;画有疏密二体,振宽先生属密体;画有巧拙,振宽先生偏于拙厚,所以振宽的山水丰富、深厚、有力度、大气,表现出祖国北方的山水和黄土高原西部山脉水脉的气质和灵魂。当前山水画玩弄技巧的比较多,很沉着的东西比较少。振宽这种深厚的、大气的东西值得提倡。可染先生认为:“‘老中有嫩’为之秀,‘枯中有润’为之苍”。振宽这些画我认为老辣,苍润都有,但不透风的地方多了一些,感到压抑,天高云淡也是山水画的意境。
Liu Longting (People’s Fine Arts Publishing House Editing): Wide painting, I think it is an academic taste of Chinese painting. North and South were painted, vibration wide no matter from his style, temperament, the performance of the screen, of course, is the Northern Zongshan; dredging dense two body, Mr. Zhenkuan is a dense body; painting clever humble, Therefore, the wide and rich mountain landscape, rich, powerful, the atmosphere, showing the landscape of the northern part of the motherland and Western Sierra of the Loess Plateau temperament and soul. Current landscape painting techniques are more, very calm things less. Vibration width of this deep, atmospheric things worth promoting. Dyed Mr. said: "There are tender old for the show, ’withered Run’ for the Cang. ’ Vibration width of these paintings I think the old spicy, Cang Run have, but a little more air-tight place, feel depressed, elegant sky is landscape painting mood.