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母爱如同情爱,当是人类覆盖面最广的一种普遍而永恒的感情罢。世间的女人,既不是母爱的承受者又不是母爱的施予者,恐怕是极为罕见的;世间的男人未得欣领母爱的厚泽也是为数不多的。正因为天下母亲同出一辙的母爱似润物细无声的春雨点点滴滴流进世人的心田,形成人类广有的一种大同小异的感情体验,所以,文艺作品对母爱的讴歌,在读者的心弦上,往往易于引起同频率的共鸣而难于产生异声部的交响。也就是说,从接受美学的角度观照,母爱的情蕴对欣赏者经验世界所产生的审美效应,客观的定势是同化往往大于变异。
As a kind of universal and eternal feeling of the most extensive human coverage, maternal love is like love. The world’s women, neither the mother of love nor the recipient of maternal love, I am afraid it is extremely rare; men of the world are not welcomed Houma mother love is also one of the few thick. It is precisely because the mother of the world with the same motherly love like moisten the silent spring dripping into the heart of the world, the formation of a wide range of similar human feelings, so literary and artistic works on the love of mother, in the reader’s Chord, often easy to cause resonance with the same frequency and difficult to produce symphonic symphony. In other words, from the perspective of accepting aesthetics, the aesthetic effect produced by maternal love on the world of experience of appreciators, the objective tendency is to assimilate more than mutation.