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花鸟画一道,素来为中国传统绘画的重要一支,与山水、人物、走兽并重,其承传悠久。近代,花鸟画之为世侧目,钱行健先生为其中有所成就,为当代名家之一。陈志宏先生的花鸟画得之于钱行健笔墨甚夥。上海文荟书画院副院长、上海市美术家协会会员陈志宏的花鸟画,大抵承袭了传统文人绘事之表现,巨鹰、鹤鹭、雀鸟、锦鸡、紫藤、兰草、牡丹、荷花或葡萄等等,不一而足。然作为当下的画者,倘若一味师古而不发新声,即便摹得精巧不爽,中规中矩如斯,便也不足以度观。陈志宏之学习专研传统花鸟画,深谙其理,故读其所陈示作品,未嗅得陈
A painting of flowers and birds has always been an important part of traditional Chinese painting. It is equal to landscapes, figures and beasts. It has a long history. In modern times, flowers and birds of painting are on the world side, Mr. Qian Xingjian is one of the achievements and one of contemporary masters. Mr. Chan Chih-hong’s flower and bird painting is worth money in line with Pen and ink even partner. Chen Zhihong, vice president of Shanghai Wenhui Painting and Calligraphy Institute, and Chen Zhihong, a member of Shanghai Artists Association, generally inherit the performance of traditional literati, giant eagle, crane, bird, golden pheasant, wisteria, bluegrass, peony, lotus or grape. And so on, not enough. However, as a contemporary painter, if you blindly learn from ancient times without a new voice, even if you are exquisitely accurate and unorthodox, you are not satisfied with the rules. Chen Zhizhong’s study of traditional flowers and birds painting, well versed in the theory, so read their works, did not smell Chen