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山水画的出现大概可以追溯到战国以前。在魏晋南北朝时期,还没有独立成为一个画种,通常作为人物画的背景出现。这个时期是山水画的雏形,并未形成成熟的表现手法,在敦煌莫高窟的魏晋南北朝时期的壁画中可以看到常常是“人大于山,水不容泛”。一直到隋唐时期,山水画才独立出来,由于其契
The appearance of landscape painting can be traced back to the Warring States period ago. In the period of the Wei, Jin, Southern and Northern Dynasties, there was no independent painting as a kind of painting, which usually appeared as the background of portrait painting. This period is the embryonic form of landscape painting, and has not formed a mature expression technique. In the murals of the Wei, Jin and Southern and Northern dynasties in the Mogao Grottoes of Dunhuang, we can often see that “people are bigger than mountains and water is not universally”. Until the Sui and Tang Dynasties, landscape painting was independent, due to its lease