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《圣母玛利亚升天》,在宗教艺术中是个神圣的题材,而米开朗基罗·梅里西·达·卡拉瓦乔无视斯卡拉教堂的订件旨意,按自己的生活经验和美学原则创作升天的圣母。呈现在人们面前的是这么一个场面:在一个破烂的农舍小台子上,躺着一位久病无钱医治而死去的中年妇女。她被穷困糟蹋得头发蓬乱,面容憔悴;死时连一双鞋袜都没有,赤着一双脚,躺在一个小木床上。圣母的躯体有一半还伸在床外吊挂着,逼真
“Ascension of the Virgin Mary” is a sacred subject matter in religious art, while Michelangelo Merylida da Caravaggio ignores the order of the La Scala church and ascended to life according to her own life experience and aesthetic principles Madonna. Presented to people is such a scene: In a tattered farmhouse on a small table, lay a middle-aged woman died of illness and money. She was impoverished, disheveled and haggard; she died without a pair of shoes and socks, barefooted, lying on a wooden bed. Half of the body of the Madonna also stretched out in bed hanging, realistic