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康斯坦丁·巴甫洛维奇是不爱江山爱美人的俄国版本的主角。他既是1825年俄国皇位空缺期的关键人物,也是分析十二月党人事件、解读梅列日科夫斯基《野兽的王国》三部曲等诸多文本必然提及的文化人物。在“野兽的王国”里,和滴血宝座沾边的神圣或庄严都轰然倒塌,本文籍由不爱江山爱美人这一传奇,勾连历史细节,祛魅文化研究之历史语境:江山和美人可以选择,但无需像鱼和熊掌那样非此即彼,如果康斯坦丁选择江山,俄国历史进程会随之改写。
Konstantin Pavlovich is the protagonist of the Russian version of a country that loves beauty. He is both a key figure in the vacancy period of Russia in 1825 and a cultural figure inevitably referred to in many texts such as the analysis of the events of the December party and the interpretation of the “trilogy of beasts” by Merezhkovsky. In the Kingdom of the Beast, the sacred or solemn detached from the throne of blood splashed down. This article, linked by historical details to the legendary love of beauty, dispels the historical context of cultural studies: Beauty can choose, but not like the fish and bear’s paw that either, if Constantine choose the country, the Russian historical process will be rewritten.