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中国的山水画有着自身的图式谱系和绘画理念,每个不同的时代都有各自不同的图式特点。山水画的图式随着时代的变迁在传承中不断地发展,延绵千年构筑了中国山水画的巍巍大观。唐代山水空勾无皴,重彩渲染显现出盛唐瑰丽堂皇的气象;宋代的“李、郭、董、巨”各自以不同的图式与技法表现了山水的形与质,造型之严谨、次序之缜密体现了宋代格物致知的理学思辨;元季的异族统治让画家逃逸现世遁隐山林,他们山水的图式
Chinese landscape painting has its own lineage and painting concept, each different era has its own different schema features. With the change of the times, the landscape painting’s style has been continuously developed in the inheritance, stretching the millennium to build the grand view of Chinese landscape painting. In the Tang Dynasty, “Li, Guo, Dong, Giant,” each with different schematics and techniques showed the landscape shape and quality, modeling Rigorous, the order of meticulous reflection of the reasoning of the Song dynasty reasoning of science; the quasi-monarchy in the first quarter to allow the artist to escape the world Escape hidden forests, their landscape pattern