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秦腔鼓板演奏法,俗称“垫旋板”。是学习司鼓者应该研究的一个重大课题。这其中包括了板头起法,板头过门,腔句间过门、板式转换、齐板、留板、黄板、歇板、砸板等各种敲法。用量很大,种类繁多,并有许多成套的敲法和固定的程式。下面就两方面把我自己在多年司鼓中的体会简单阐述一下,以便于前辈和同行共同商讨,以达到共同提高的目的,为秦腔打击乐的改革发展,做进一步的探索。一、鼓板点法中几个主要音的性质及其作用学习司鼓。必须对鼓板点法中的几个主要音有一个明确的认识,这对我们熟悉秦腔音乐
Qin cavity Drum playing method, commonly known as “paddle board.” It is a major issue for the study secretary to study. This includes the board from the law, the plate over the door, the cavity between the door, plate conversion, Qi plate, leaving the board, yellow board, re-board, hit the board and other knocking method. Large quantities, a wide range, and there are many sets of knocking and fixed procedures. The following two aspects of my own experience in the Secretary for years to briefly explain the experience in order to facilitate discussions with their predecessors and their peers in order to achieve the purpose of common improvement for the reform and development of the Qin cavity percussion to further explore. First, the drum plate method in several major sound of the nature and role of learning Secretary drum. We must have a clear understanding of the main points of the drum plate method, which is familiar to us