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作为我的学长,雕塑家高云龙是我迁居上海后逐渐与他交熟起来的,他性格内向,不善言词,为人厚道,但在自己的专业上,不管在其艺术生涯中面临过多少潮起潮落,却始终充满着执著的感情。60年代,我与著名雕塑家潘绍棠共事,他就常谈及上海的这位少言寡语的艺术家的艺术性格。后来会晤,果然如老潘所描绘的那样。我从他在50年代中期所创作的《志愿军纪念碑》大型浮雕作品上,看到他年轻时的那种纯真的艺术态度,他是一位遵循党的艺术方针的诚实的青年雕塑家。所有浮雕形象基本上是按照社会主义现实主义艺术原则去阐述的。在那个
As a senior of me, Gao Yunlong, a sculptor, gradually became acquainted with him after he moved to Shanghai. He is introverted, unspeakable and considerate, but in his professional career, no matter how many tides he faces in his artistic career Ebb and flow, but always full of persistent feelings. In the 1960s, when I worked with the famous sculptor Pan Shaotang, I often talked about the artist’s character of the sloppy artist in Shanghai. Later meeting, as indeed Laopan portrayed. From the large-scale relief work he created in the mid-1950s, the Monument to the Volunteers, I saw the pure artistic attitude of his youth. He is an honest young sculptor who follows the party’s art policy. All the relief images are basically formulated in accordance with the principles of socialist realism. At that