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音乐剧《窈窕淑女》是音乐剧轻歌剧流派中的经典之作,是二十世纪六十年代不可多得的传世之作。女主角“伊莉莎”唱段的设计精巧,风格变化较多,而这部音乐剧演出的成败与女主角的演唱必然是密不可分的。本文对《窈窕淑女》中“伊莉莎”的独唱唱段进行了较为详尽的分析,希望藉此机会与同行们进行交流——演唱在音乐剧表演中应根据不同的规定情景,进行与规定情景相适应的演唱,不是一成不变的,而在规定情景中演唱正是音乐剧演员所必须具备的能力。
Musical “Fairy Lady” is a genre of musical genres, is rare in the sixties of the 20th century handed down. Actress “Eliza ” Aria’s design compact, style changes more, and the success of this musical performance and actress’s concert must be inextricably linked. This article has carried on the more detailed analysis to the solo part of “Eliza ” in The Lady in Wonderland, I hope to take this opportunity to communicate with my colleagues - singing in the musical performance should be based on different provisions of the scene, and It is not immutable to stipulate that a concert suited to a situation, and singing in a regulated situation is exactly what a musical actor must possess.