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动画短片《夏虫国》,汤柏华与团队历时3年完成,手绘万块石膏板。画面若古代壁画般的坚实质感,令人耳目一新,20吨重规模体量,也是前所未见。复两年,《莫高霞光》又成,石膏板换为泥板,在敦煌采土烧制,为求与敦煌古代壁画物近神似,依旧用手绘“重”物的“笨”办法,然而,造型敷色、用笔运墨、配乐剪辑,都与《夏虫国》有明显分别。动画创作伊始,汤柏华即自觉回到自身传统寻根探源,在中国历代绘画中收获灵感,从20世纪60年代,水墨动画中吸取经验。由此而发,才有了他对动画的新领悟:以材料之重,承载动画表现的新可能;以文化之重,激发表达创造的新空间。
Animated short film “Summer Bug State”, Tang Baihua and the team lasted 3 years to complete, hand-painted million gypsum board. If the solid texture of ancient murals, refreshing, 20 tons of heavy size, but also unprecedented. Complex two years, “Mogao Xiaguang” has become, gypsum board for the mud board, in the Dunhuang earth excavation, in order to seek ancient murals similar to the Dunhuang, still use hand-painted “heavy ” material “However, styling, writing ink with ink, soundtrack editing, and the” summer insect state "there is a clear distinction. At the beginning of the animation creation, Tang Bahua consciously returned to his own roots of traditional roots-seeking, drawing inspiration from Chinese ancient paintings and drawing lessons from ink-and-wash animation in the 1960s. From this, only his new comprehension of animation can be realized: the new possibility of bearing the performance of animations with the weight of materials and the new space of expressing and creating with the weight of culture.