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在我国文学思想传统中,有工具论与重自我感受、自我发抒、回归文学自身两条线。如果以正德朝为界将有明一代划分为两个时间段落,那么前期是工具论占主导地位,后期则是重自我感受、自我发抒、回归文学自身占主导地位,其中促成主导角色地位转换的因素固然是多层面的,如社会思潮变化、经济发展、文学自身发展规律等,但若仅就政权运作层面来讲,除了有君主的行为导向外,手握重权当道官员的权力运作也是一个重要因素,此为明代政权集团不同权力阶层共同运作的结果。
In the tradition of Chinese literary thought, there are two lines of instrumentalism and self-feeling, self-expression and return to literature itself. If the Ming Dynasty is divided into two periods, the early stage is dominated by instrumentalism, the later is re-self-feeling, self-expression, return to literature itself dominant, which led to the dominant role of status change Although the factors are multi-dimensional, such as changes in social ideological trends, economic development, and the law of self-development of literature, if only the level of political power is concerned, in addition to the monarch’s behavior orientation, Important factor, this is the result of the common operation of different power groups of Ming Dynasty regime group.