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具有动态美的构成形式,有比例、对比、多样统一等。“比例”,是形式美最为普遍的重要规律之一。它是指美的事物在外在形式上部分与部分、部分与整体之间构成的一定的度量关系。比例失调,必然导致形式美的消失。古希腊毕达哥拉斯学派,在美学史上最早提出形式美的比例关系,即著名的“黄金分割”律(指长方形的美,其长与宽的比例以1:1.618为适宜)。事物形式要素之间的比例关系,是人类在实践活动中通过对自然物的加工改造总结抽象出来的。我国木工祖传的“周三经一、方五斜七”的口决,就是制作圆形和方形物体的大致比例。中国画论中的“丈山尺树、寸马分人”,则是
With the dynamic form of the United States, there are proportions, contrast, unity and so on. “Proportion” is one of the most common and important forms of formal beauty. It refers to the aesthetic relationship between the external form of the part and the part, part and the whole constitute a certain measurement. The imbalanced proportions inevitably lead to the disappearance of formal beauty. The Pythagorean school of ancient Greece first proposed the proportionality of formal beauty in the history of aesthetics, that is, the famous law of “golden section” (referring to the beauty of a rectangle, whose ratio of length to breadth is 1: 1.618). The proportional relationship between the formal elements of a thing is abstracted from the summary of the transformation and transformation of natural things by mankind in practice. China’s ancestral woodworking “Wednesday by a square five beveled seven” mouth, is the production of round and square objects roughly the proportion. Chinese painting theory of “Zhangshan foot tree, inch horse sub-people,” is