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《淮南子》全书以道家思想为主导,兼采各家学说所长,在论述哲学和治国理论的过程中继承发扬先秦诸子的审美观,充分体现汉初美学道儒杂糅、重情尚用的时代特征。“道事合一”哲学观影响下的《淮南子》,形成了宽容并汇、“大浑为一”的审美对象,将先秦儒道推崇、追求的“大美”从注重个体人格精神的升华转向关注现实人生,并分别从审美形态、观照视野、审美体验、彰显人的本质力量等方面,给老庄“大美”注入新的美学意蕴。
The book “Huainanzi” is dominated by Taoism and taken as the director of various schools of thought. It inherits and develops the aesthetics of pre-Qin philosophers in the process of exposition of philosophy and governing state theory, fully embodies the blending of Confucianism, Confucianism and Confucianism in the early Han Dynasty, The characteristics of the times. “Huainanzi ” under the philosophical conception of “Taoism ”, formed the aesthetic object of tolerance and merging, " From paying attention to the sublimation of individual personality spirit to paying attention to real life, and from the aspects of aesthetic form, visual field, aesthetic experience, and the highlighting of the essential forces of human beings, it will inject a new aesthetic connotation to Laozhuang and Da Mei.