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有多少显现,就有多少存在;还原越多,给予就越多[1]——在此意义上,可以肯定地说,作为几代前辈艺术家筚路蓝缕、与时俱进心路历程的一个缩影,年逾古稀的新西兰艺术家林禹光先生的作品创作,一直以来不仅是中纽画界许多人士“期待视域”中的一个关注对象,而且,其跨界人生之所作所为,也始终由其自身不断推衍的“期待视域”所同构。我们知道,从动力论角度讲,解释学所言的“期待视域”[2],也可谓是人所特有的从低向高、自内而外求真向善主客协同的存在诉求。当然,哲学水平上,作为人生意义的显豁,这种“存在”非比寻常。如在
How much does it appear, how many exist? The more reductions, the more we give [1] - In this sense, it is safe to say that as a microcosm of a generational artist who has gone down in his path, The creation of the late-genivant New Zealand artist Mr. Lin Yu-kuang has always been not only one of many people in China-New Zealand painting circles, but also his cross-boundary life has always been made by himself Continuously derived “expectation of sight ” by the same structure. We know that from the perspective of dynamism, the term “expectation horizon” as interpreted by hermeneutics can also be described as the existential appeals . Of course, on the philosophical level, as the explicit meaning of life, this kind of “existence” is unusual. As in