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音乐史和音乐作品的关系历来是音乐史研究的永恒话题,如何在历史的历时性和作品的审美性之间达到平衡,使音乐史能成为音乐的而不是普通的历史、使音乐作品能成为开放的而非封闭的审美个体,对于这一问题的思考直接影响着音乐史研究的方向和方法。文章从学理的角度对音乐史和音乐作品的关系问题进行了再次反思,认为音乐史研究的过程就是在历史和音乐中寻找平衡的过程。
The relationship between musical history and musical works has always been the eternal topic in the study of music history. How to strike a balance between the diachronic history and the aesthetic taste of the works so that the history of music can become music rather than ordinary history makes the musical works become Open rather than closed aesthetic individual, thinking on this issue directly affects the direction and method of music history research. The article re-examines the relationship between musical history and musical works from the perspective of academic reasoning, and holds that the process of studying musical history is to find a balance between history and music.