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我们已经迈进２０００年。过去的一年，在中国电影发展历史上无疑是值得驻足流连的一年。以庆祝建国５０周年献礼影片为主要标志，中国电影形成了第三次创作高潮，但同时也愈加暴露出电影市场机制的不成熟、不完善等严重问题。面对新的世纪，加上中国“入世”在即，中国电影呈现出一种前所未有的既充满希望又步履沉重的前行姿态。创作生产的高潮与电影市场的低谷，巨大的反差现实迫使人们对中国电影在新世纪的发展趋势格外关注。在新世纪即将到来之际，１９９９年１２月２２日，本刊记者就当前中国电影发展态势的若干问题，对国家广播电影电视总局电影事业管理局副局长王庚年进行了采访。现将本刊的“采访提纲”与王庚年的“答问”单列发表，希望能对广大关。。中国电影的读者有所启迪和裨益。
We have moved into 2000. The past year has undoubtedly been a year worth lingering in the history of Chinese film development. In celebration of the 50th anniversary of the founding of the People’s Republic of China as the main symbol of the film, the formation of the third film of Chinese climax, but also more exposed film market mechanism immature, imperfect and other serious problems. Faced with the new century and the advent of China’s accession to the WTO, the Chinese film presents an unprecedented forward-looking attitude full of hope and heavy walking. The climax of creative production and the downturn of the movie market, the huge contrast reality has forced people to pay special attention to the development trend of Chinese film in the new century. On the eve of the new century, on December 22, 1999, our reporter interviewed Wang Gengnian, deputy director of the State Administration of Film, Film and Television of the State Administration of Radio, Film and Television on the current situation of the development of Chinese film. Now published in the “interview outline” and Wang Gengnian’s “answer” published in separate columns, hoping to Guan Yu. . Chinese film readers have some inspiration and benefits.