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一九八八年问世的电视片《河殇》,冲击波席卷中华,震荡海外。时逾两年的研讨评说,实践验证,是非功罪,早有公论,其真实面目已大白于天下。笔者因未得收视,自认孤陋寡闻,只有多听多读,虚心聆教。近读香港《语文建设通讯》第23期李业宏撰写的《<河殇>所未有触及的》一文,着实吃一大惊。笔者以为,作为一名汉语汉字研究的志愿者,不能再保持沉默了。 《<河殇>所未有触及的》作者李业宏先生在文中首先对《河殇》总撰稿人苏晓康的创作构想予以肯定,并就李所至为欣赏的所谓“造成‘河殇震荡,的第三点”做了摘引:
The television series “River Mau”, which was released in 1988, shocked China and shocked overseas. When more than two years of research commented that the practice of verification is a non-power crime. It has long been a public opinion that its real face has been revealed to the world. Because I have not watched, I think ignorant, and only listen to read more, humbly teach. In fact, I recently astonished at the article “Unreached” written by Li Yeh-hong in the 23rd issue of the “Chinese Language Bulletin” in Hong Kong. The author believes that as a Chinese volunteer for Chinese studies, we can no longer remain silent. In his essay, Mr. Li Yeh-hong first affirmed the creative concept of Su Xiao-kang, the chief contributor to Hebi, and affirmed the so-called “caused” shock caused by Li’s condolences Third point "made a quote: