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这是不争的事实,当今水墨写意画出现衰微,而工笔画在中国画的发展进程中有明显上升兴盛的趋势,就人物画而言,工笔人物画家在全国中国人物画家队伍中的比例远远少于水墨人物画家,却在全国美展中屡屡占据国画半壁以上江山,并且这种变化早在改革开放的上世纪八十年代已见端倪。近三十年来“工强写弱”的情况越来越突出。尽管中国画坛也疾呼挽
It is an indisputable fact that the current ink-and-wash freehand brushwork declines, while the fine brushwork draws a marked rise and rise in the development of Chinese painting. As far as portrait painting is concerned, the proportion of fine brushwork painters in the ranks of Chinese painters in China is far less In the ink figure painter, but in the national art exhibitions often occupy more than half of Chinese painting country, and this change as early as the reform and opening up eighties of last century has been clues. In the past three decades “strong write weak ” situation is more and more prominent. Although Chinese painting circles also cynical pull