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自戏曲陷入困境以来,戏曲界人士不断给戏曲走出困境支招。支招者往往希望戏曲按照自己设定的模式进行戏曲的创作和生产。但是,这样做的结果往往容易把戏曲生产引向单一化,这是不利于戏曲发展的。(一)观众群体的多元化需要戏曲生产多样化戏曲生产要求多样化,是因为观众群体是多元的:老年观众、青年观众,南方观众、北方观众,城市观众、
Since the operatic troubles, the opera circles continue to give the drama out of the woods. Weaponry often want drama in accordance with their own set of modes of drama creation and production. However, as a result of this, it is often easy to lead the production of opera to singularity, which is unfavorable to the development of opera. (I) Diversification of audience groups requires diversification of production of opera The diversification of production requirements for opera production is due to the diversity of audience groups: senior audiences, young audiences, southern audiences, northern audiences, urban audiences,