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“四功五法”是中国戏曲艺术表演的基础,也是表现形式。戏曲演员要善于掌握唱、念、做、打,运用手、眼、身、法、步,在舞台上扮演各个行当所扮演的角色。而戏曲导演要在整个艺术作品创造中掌握各个角色行当表现的“四功”和“五法”的运用,以保证表现人物角色的准确性和艺术性。一、手手势一般是在规定的心理情景当中而做出的形体动作,也就是由心而发的。而每个行当所扮演的人物手势,都有其行当独特的呈现方式,也
“Four power and five methods ” is the basis of Chinese opera art performances, but also the manifestation. Drama actors should be good at mastering singing, reading, doing, playing, using hand, eyes, body, law, and step, playing the role of the various acts on the stage. The director of the opera must grasp the application of “four powers” and “five laws” in the performance of various works in order to ensure the accuracy and artistic expression of the characters. First, the hand gestures are generally made in the provisions of the psychological scenarios which made the body movements, that is, made by the heart. And each line of the figure gestures, have their own line of unique presentation, also