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按照学界对于“山寨”的界定,当代艺术自20世纪80年代兴起至今,本身就像是一个“山寨”运动。因此,讨论今天当代艺术界内的“山寨”现象,有必要回避这一背景,否则也就没有讨论的必要。然而,从另一个角度看,20世纪90年代,特别是2000年以来,随着艺术市场的高涨,当代艺术已然不在“山寨”的范畴,几千万的天价更像是“庙堂”或“宫廷”之物。就像宋庄艺术家村一样,很难说它还有多少圆明园时代的“江湖”色彩,单从举办了四
According to the academia’s definition of “cottage”, contemporary art has been a “cottage” movement since the rise of the 1980s. Therefore, to discuss the “cottage” phenomenon in contemporary art circles today, it is necessary to evade this background or there is no need for discussion. However, from another point of view, with the rising art market in the 1990s and especially since 2000, contemporary art is no longer in the category of “cottage”. Tens of millions are more like “temples” “Or” court “thing. Like Songzhuang artist village, it is hard to say how many Yuanmingyuan era ”rivers and lakes" color, from held four