论文部分内容阅读
在一个不眠之夜的黎明时分,我为话剧《中华士兵》(编剧:冯俐)提炼、确立的舞台演出形象种子:“一群青春的中华生灵,在破碎山河、血火大地、生死悬崖上挣扎、攀爬、崛起、前行,走向、扑进、融入万古奔流、生生不息的母亲河……”一、春草生黄河,相思如流波——本剧的创作背景与故事发生的时代背景此刻,我们在遍地春草的黄河岸边,回忆、钩沉、追思、缅怀……今年是中国人民抗日战争胜利暨世界反法西斯战争胜利70周年。70年过去了,战争的硝烟已经散尽,但是当年日本法西斯对中华民族的侵略、凌辱、奴役、屠杀不能忘;沉积在历史长河里那一场场中华儿
At the dawn of a sleepless night, I refined and established the stage performance image for the drama “Chinese Soldier” (screenwriter: Feng Li). “A group of youthful Chinese beings are in the process of breaking mountains and rivers, blood and earth, cliffs of life and death Struggling, climbing, rising, moving forward, going forward, rushing in, into the ever-flowing, endless flow of the mother river ... ... ”First, the spring grass Yellow River, Acacia, such as Liu Bo - the play’s background and story of the story At this very moment, we remember, hug, recollect and cherish memories on the shores of the Yellow River all over the grass. This year marks the 70th anniversary of the victory of the Chinese People’s Anti-Japanese War and the victory of the world anti-fascist war. 70 years later, the smoke of the war has been cleared, but then the Japanese fascists’ aggression, humiliation, slavery and massacre of the Chinese nation can not be forgotten.