“势”与刘大櫆“神气说”

• 作 者: 徐杰
• 机 构: 四川师范大学文学院,
• 出 处: 康定民族师范高等专科学校学报
• 发表日期: 2008年05期
• 关键词: 势 刘大櫆 神气说

刘大櫆的“神气说”主要由“神气”、“音节”、“字句”构成,三者的关系是从“粗”到“细”的关系,刘大櫆讲究从具体的写作“操作性”提升到一种审美性。在谈到三者关系时,他也是按照古代文论感悟式的语言论述三者的关系,本文试着寻找出刘大櫆在论述“神气”和“音节”的关系时,未能明确谈到的理论过渡桥梁——“势”。

The relationship between the three is from “rough” to “fine”, and Liu Dajuan’s relationship with “shenqi” is mainly composed of “qi”, “syllable”, and “ Pay attention to the specific writing ”operability “ to a kind of aesthetic. When talking about the relationship between the three, he also discusses the relationship between the three according to the ancient literary theory. This article attempts to find out that when Liu Danyuan discusses the relationship between ”Qi“ and ”Syllable“, he fails to clarify Talking about the theoretical transition bridge - ”potential ".