五度音的运用

• 作 者: 杨瑞庆
• 出 处: 音乐世界
• 发表日期: 1991年04期
• 关键词: 五度 群众歌曲 旋法 歌曲创作 音级 移宫 下属关系 大刀进行曲 《国际歌》 结音

纯五度关系的两个音是旋律写作中非常重要的音级。特别是调式主音的上方五度音及下方五度音,由于给人的感觉既协和又稳定,因此运用得更广泛。歌曲创作中,五度音常在以下四方面得到重用:一、五度音跳进:五度关系的跳进,或者四度关系的跳进(五度音程的转位),被认为是较有力度的音程。如果是主属、主下属关系的五度音跳进还能起到稳定调式的作用。只要我们稍回忆一下,很多雄壮有力的群众歌曲的开始,都运用了围绕主音的五度音跳进旋法。例如:

The two pure fifths are very important sound classes in melodic writing. In particular, the tonal vowel above the fifth tone and the bottom five degrees sound, because of the feeling of both harmony and stability, and therefore more widely used. In songwriting, the fifths are often reused in the following four ways: First, fifths jump: fifths jumps or fourth jumps (fifths transitions), is considered to be more Have a strong pitch. If it is the main genius, the main subordinate relationship between the fifth tone jump can play a stabilizing role. As long as we recall, the start of many mighty mass songs all use the fifths of the vocals to jump into the spin. E.g: