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画像石始于西汉,盛行于东汉,是多用于墓地祠堂、地下墓室内雕刻画像的建筑构石。汉代画像石的研究自20世纪70年代后进入到综合研究阶段,成为佐证文本材料的新证据。巫鸿《武梁祠——中国古代画像艺术的思想性》、信立祥《汉代画像石综合研究》、蒋英炬等《汉代画像石与画像砖》、邢义田《画为心声:画像石、画像砖与壁画》等经典著作,从考古学、艺术史和文化史等角度,揭示了汉画像石背后深层的文化符码,这些著作提出的观点广为研究者采纳,对于汉画像石研究具有奠基性意义。近年
Stone began in the Western Han Dynasty, popular in the Eastern Han Dynasty, is more for the cemetery cemetery, underground carved portraits of the building portrait stone. Since the 1970s, the research on portrait stone in the Han Dynasty has entered the stage of comprehensive research and became the new evidence to support the textual materials. Wu Hong “Wu Liang Temple - the ideological nature of ancient Chinese portrait art”, Shun Lixiang “Han Dynasty Stone Comprehensive Research”, Jiang Yingju and other “Han stone and portrait portraits”, Xing Yitian “as the voice of the painting: stone portrait, portrait brick Murals ”and other classic works, from the perspective of archeology, art history and cultural history, reveals the deep cultural symbols behind the Han Dynasty stone, the views put forward by these works widely adopted by researchers, for the study of stone Han stone has a foundation . in recent years