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在多元价值取向的现实语境中,批评的无奈与批评的担当共生,批评的庸俗与批评的凝重共存。对音乐艺术及音乐活动多元面相的解析,需要拥有多方面的理论资源,如多学科交叉的理论资源,中国传统文化经典中的理论资源以及西方音乐文化、特别是现代以来具有前沿性的理论资源。多元语境下的批评标准具有绝对性与相对性的辩证统一,作为艺术核心价值的真、善、美是音乐批评的绝对标准,而文化的差异与认识的差异形成的标准是批评的相对标准,这是构成多元语境下“和而不同”音乐批评的基础。
In the context of pluralistic values, the helplessness of criticism and the coexistence of criticism, the vulgarity of criticism and the coexistence of criticism. The multifaceted analysis of musical arts and music activities requires multiple theoretical resources such as multidisciplinary theoretical resources, theoretical resources in Chinese traditional culture, and Western music culture, especially since the modern era . Criticism in multiple contexts has the dialectical unity of absoluteness and relativity. True, good and beautiful as the core values of art are the absolute standards of music criticism. The difference between cultural differences and cognition forms the relative standard of criticism This is the basis of the musical criticism that constitutes “harmony but differentness” in multiple contexts.