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七宫还原是存在于我国民间的一种渊远流长的宫调体系。李来璋先生在《七宫还原》一文中对这种宫调体系进行了深刻的论述。七宫还原以“变宫为角”“以羽为角”向属方向和下属方向依序旋宫,旋宫过程中因宫音的游移出现了一种特有的移律现象。李先生在文中以谱例示之,移律现象是用减五度关系的两个调号表述(见《中国音乐学》91年2期《七宫还原》文)。笔者研读之后,认为用极音关系的调号表述七宫还原中特有的移律现象不准确,且与“变宫为角”“以羽为角”的依序旋宫不相符合,宫调之间的旋转逻辑不连贯。
The restoration of the Seven Sects is a long-established palace transfer system that exists in our folk. Mr. Li Laizhang made a profound exposition on this system of palace paternity in the article of “Seven-palace Restoration”. Restoration of the seventh house, “change the palace as the angle” “to the feather as the angle” to the subordinate direction and subordinate direction of the orderly rotation of the palace, the process of rotation palace because of the wandering there is a unique shift phenomenon. In the text, Mr. Li uses examples to illustrate the phenomenon of relocation. The phenomenon of relocation is described by two semitones whose relationship is reduced by five degrees (see “The Seven-palace Restoration” in Chinese Musicology, Issue 2, 1991). After the author studied, it is considered that the phenomenon of panic that is unique in the restoration of the seventh house is inaccurately expressed by the key sign of the polar tone, and it is not in accordance with the order of the revolving palace of " The logic of rotation between the incoherent.