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经历史无前例的十年文化浩劫之后,中国画终于走上了自觉的发展道路。改革开放以来的二十年里,中国画发生了巨大的变化,画家们被压抑太久的创造力象火山爆发一样喷薄而出,各种新的思潮、流派不断涌现,中国画坛出现了空前的繁荣。但不可否认的是,每个人也都由于自己的急迫与张皇留下了简约化与片面性,这一切都显示出目前还仍旧处于一个中国画再发展的过渡时期的特征。他们共同推进了中国画从传统到现代、从单一向多元的演进。如何评价二十年来中国画的发展,二十一世纪的中国画向何处去,《艺术批评》栏目真诚欢迎您的直抒胸臆与放言无忌,但有一点,必须是基于学术的。
After an unprecedented decade of cultural catastrophe, Chinese painting has finally embarked on a conscious development path. In the two decades since the reform and opening up, the Chinese painting has undergone tremendous changes. The painters have been erupting for too long as a volcanic eruption. All kinds of new thoughts and schools continue to emerge. Chinese painting circles have seen unprecedented prosperity . However, it is undeniable that everyone, due to their own urgency and Zhang Huang, has left a simplistic and one-sided nature. All of this shows that they are still in the transitional period of the re-development of Chinese painting. They jointly promote the traditional Chinese painting from modern to modern, from a single to multiple evolution. How to evaluate the development of Chinese painting in the past twenty years and the Chinese painting in the twenty-first century? Where is the “art criticism” section sincerely welcome your direct expression and assertiveness, but one must be based on the academic.