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歌剧《汤豪塞》成功地体现出了瓦格纳极力主张的“歌剧的音乐必须服从于戏剧”这一特点,他将伊丽莎白咏叹调《可爱的大厅》中优美流畅的旋律、生动鲜明的个性及蓬勃大气的场景等展现无疑。瓦格纳认为真正伟大的歌剧应体现永恒的精神,他的气质素来心高气傲,把对美好爱情的憧憬和渴望被理解的向往充溢其间。笔者对该段咏叹调《可爱的大厅》的创作背景、和个人的演唱处理等进行了全面、系统地分析,为自己及其他的演唱者、读者提供一些参考。
The successful opera “Tang Haiser” embodies Wagner’s strong claim that “the opera’s music must be subordinated to drama”. He combines Elizabeth’s aria with beautiful, smooth melodies and vivid characters in “Lovely Hall” and Ambitious atmosphere show no doubt. Wagner believes that a truly great opera should embody the eternal spirit. His temperament has always been arrogant, filling the longing for good love and longing for understanding. The author conducted a comprehensive and systematic analysis of the creative background of the aria, “Lovely Hall,” and his solo performance, providing some references for himself and other singers and readers.