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弗朗西斯人过中年。他每隔一天,都要来一家叫作Exotica的脱衣舞场。这个色情俱乐部的经营者是个名叫兹奥的女人。兹奥从自己的母亲手里接过这个俱乐部,那个已离世的第一代老板娘给这个俱乐部注入了某种异国和阴性的情调。一个播音专业毕业的年轻男子艾瑞克每晚用风一样的语言为顾客介绍每一位舞娘。每当少女克里斯蒂娜穿着白衫和褶裙上场,老顾客弗朗西斯就会用异样的目光追随着她。克里斯蒂娜总是从布置成绿野仙踪般的布景中出现,当薄雾中的白色精灵在美艳的姿态中冷酷地撩动她的裙子,对着麦克风的艾瑞克就会有如神启般从双唇里吐出世上最动人的诗句。《Exotica》是加拿大名导演阿托姆·伊戈扬执导的一部名片。电影里的脱衣舞场,作为一个欲望的集散地,不像《上海异人娼馆》那样构筑在观众的幻觉中,也不像《色情电影院》那样描绘光天下色与诱的自由交易市场。被誉为“希区柯克的接班人”的伊戈扬仿佛将摄像机赤裸地对准了一个情欲的舞台,
Francis had a middle age. Every other day, he comes to a strip club called Exotica. The manager of this porn club is a woman named Zia. Zia took over the club from her mother, and the first-born owner who had passed away injected some exotic and negative sentiment into the club. Erik, a young man who graduated from broadcast major, introduced every dancer to the customers every night in the same language. Whenever Christina Christina wearing a white shirt and kilt, the old customer Francis will follow her with strange eyes. Christina always appears in the setting of the Wizard of Oz, and when the white elf in the mist teases her skirts in glamorous gestures, Erik, who is facing the microphone, Spit out the world’s most touching poem. Exotica is a card directed by Canadian director Atom Igor Yang. In the movie, the striptease, as a distribution center of desire, is not as illusionary as the “Shanghai Xiguan Hall” or as the “porn cinema” depicting the bright and lonely free trade market. Igor Young, who is hailed as “Hitchcock’s successor,” seems to aim the camera naked at a stage of passion,