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关于戏剧观念问题的讨论,是戏剧理论研究中一个具有实践价值的课题。近几年来,随着剧作家、导演在创作实践中对表现形式探索的深入,“形式革新”异常引人注目。针对这个课题,出现了一些理论主张。理论可能是对实践经验的科学总结,也可能是具有片面性的。前者可能推动形式探讨的健康发展,后者则可能起到消极的影响,正因为如此,在对创作实践中的形式探索予以充分肯定的同时,对某些理论主张的片面性予以重视,展开讨论,是完全必要的。在这里,我想从有关“形式革新”的理论主张中择取几点,有针对性地谈谈个人的见解。
The discussion on the concept of drama is a practical topic in the study of drama theory. In recent years, as dramatists and directors explored forms of expression in their practice of writing, the abnormality of “formal innovation” attracted people’s attention. In response to this issue, there have been some theoretical claims. Theory may be a scientific summary of practical experience, may also be one-sided. The former may promote the healthy development of the formal discussion, while the latter may have a negative impact. For this reason, while fully affirming the formal exploration in the creative practice, we should attach importance to one-sidedness of some theoretical claims and start discussions. It is absolutely necessary. Here, I would like to take a few points out of the theoretical propositions concerning “formal reforms,” and specifically talk about personal opinions.