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翻阅《牡丹》杂志2016年的诗歌稿件,一个与《牡丹》有关但又不只与《牡丹》有关的问题萦绕心头:一家纸媒为什么需要诗歌?这似乎不是一个问题,但又不能不是一个问题。我们或许可以预设多种答案,但在现实语境下,任何答案都可能被质疑。这也连带着让我们思索另外一个问题:在全媒体时代,被动的信息接受所形成的现实经验如何给诗歌艺术提供独特性?这个设问能否成立也未可知:诗歌并不需要在经验中寻找独特性,时代不
Reading the Peony Magazine’s 2016 poetry manuscript, a question related to “Peony” but not merely “Peony” haunts me: Why does a paper media require poetry? This does not seem to be a question but a question. We may be able to preset a variety of answers, but in reality, any answer may be questioned. This also brings us to another question: How can the realistic experience of passive information acceptance provide uniqueness to the art of poetry in the all-media age? Whether this hypothesis can be established or unknown: poetry does not need to be empirically Looking for uniqueness, times do not