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段建伟经历了从带有原乡情感的中原叙事向绘画本体觉醒的过渡,以至走向自觉的绘画性和形而上化的感性形塑。在近两年的绘画中,人物形象带有极强的形式感,人物表情大多显得极为神秘,往往只带有幅度极小、不易察觉的细微动态。这种形而上化的神秘感,在很大程度上得益于画家对早期文艺复兴大师的深入钻研,特别是乔托、马萨乔、安吉利科等人的肖像语言给予
Duan Jianwei experienced the transition from the Central Plains narration with the original hometown emotion to the awakening of the painting body, and even the consciously pictorial and metaphysical sensual formations. In the past two years of painting, the characters have a very strong sense of form, most of the characters look very mysterious, often with only a small amplitude, subtle imperceptibility. This metaphysical mystery owed much to the painter’s deep study of the early Renaissance masters, especially the portrait language of Giotto, Massachusetts, and Anjiliko