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多年来我一直在寻求如何成为独立自由的个人,先是从具体的日常着手,与人分享过日子的经验,把生活的反应变成态度,进而成为方法……这两年开始直接拿现实和艺术的生产力关系做作品,比如前年台北做的《不可预知的戏剧现场》,去年迪拜的《内花园》《拍双》和今年初军械库的《淞艺博》,再到现在《一个人的博览会》,将个人的自觉从几年前内观似的知觉救赎的实验中拉回火热的社会现实中,在更广泛的区域里从事全面的工作,不是什么结合也不是什么跨界,而是把商业做成艺术,参与并推动直接生产,不象征不隐喻,玩真的……
Over the years I have been looking for ways to be an independent and free individual. I started with concrete daily experiences, shared experiences with people, and turned life’s reactions into attitudes and methods. In the past two years, I started to take the reality and art directly The relationship between the productivity and the production of works, such as the “unpredictable drama scene” done by Taipei in the previous year, the “Garden Garden” and the “Shuang Shu” in Dubai last year, and the “Song Yi Bo” in the armory at the beginning of this year, and now the “one-man Expo” , Drawing individual self-consciousness back from fiery social realities from the contemplation of perceptional redemption experiment a few years ago to engaging in comprehensive work in a wider area is not only a combination of no cross-border but a commercial Make art, participate in and promote direct production, do not symbolize metaphor, play true ...