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本刊记者于2012年6月采访苏州美专校友陈士宏先生,当时陈先生拿出了自己珍藏十几年的与老师颜文樑在20世纪70年代的来往信函十余封。陈士宏先生把这十余封信函全都交予本刊记者,编辑部在接到这批珍贵信函后,随即翻拍整理,并将原件交还给先生保存。在征得陈士宏先生的同意后,本刊特将这批信函内容完整刊发,并配发部分信函图片,以向读者全面展现这组珍贵的历史文献。颜文樑先生的这十余封信函颇为珍贵,较为完整地记载了这一时期颜文樑先生对艺术问题的思考。信函中除了对绘画色
Our correspondent interviewed Mr. Chen Shihong, an alumnus of Suzhou Fine Arts University in June 2012, when Mr. Chen brought out more than 10 letters of correspondence with Yan Wenliang, a teacher of his own, collected in the 1970s. Mr. Chen Shihong handed over all the more than a dozen letters to our correspondents. After receiving these precious letters, the editorial department immediately remade them and hand over the original documents to Mr. Sheng. After obtaining the consent of Mr. Chen Shihong, we hereby publish the complete contents of these letters together with some pictures of the letters to fully present this set of precious historical documents to the readers. Mr. Yan Wenliang’s more than ten letters are quite precious, a more complete record of this period, Mr. Yan Wenliang thinking on the issue of art. In addition to the letter on the painting color