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在这次由蛇形画廊的策展人和K11艺术基金会组织的最新展览上,艺术家们从黑客系统、政治和资本主义等等颠覆性的新角度探索艺术是如何呈现的——这一直是西蒙·丹尼作品的重要主题。他的装置作品《形式化的组织/图/建筑模型:GCHQ3便捷/自组织的工作空间》(2015年)就放在展厅的入口处,阐述了黑客的历史以及激进的当代管理方式是如何从中借鉴经验的。尽管丹尼的作品为进入黑客主题大框架提供了一个切入点,但它有点凌驾于其他11位中国艺术家的作品之上。不过,李燎的
At this latest exhibition organized by the curator of the Serpentine Gallery and the K11 Art Foundation, artists explore how art is presented from a disruptive perspective such as hacking systems, politics and capitalism - all the while An important theme of Simon Danny’s work. His installation “Formalized Organizational Chart / Architectural Model: GCHQ3 Convenience / Self-Organizing Workplace” (2015) was placed at the entrance to the exhibition hall to illustrate how hacking history and radical contemporary management are Learn from experience. Although Danny’s work provided an entry point into the big framework of hacking, it was a bit above the work of the other 11 Chinese artists. However, Li Liao’s