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“我是莫扎特”莫扎特回到萨尔茨堡,再次陷入苦闷之中,他和主教克洛瑞多的裂痕越来越大。1781年,他的歌剧《克莱塔之王,伊多曼诺》(K.366)在慕尼黑首演,慕尼黑国王真诚地邀请莫扎特参加演出。这一次,不知是主教惧怕国王的威严,还是大发慈悲,一向禁止莫扎特外出的他竟然批准了莫扎特的请假。1月27日,歌剧的首演获得了极大的成功。消息传到萨尔茨堡,却引发了主教的恼怒。他迅速跑到维也纳,并向莫扎特发出指令:立刻离开慕尼黑,前往维也纳。尽管莫扎特是在主教的手下任职,可维也纳的名门贵族都愿意和莫扎特打交道,这更加刺激了克洛瑞多,对他进行变本加厉的迫害。
“Mozart ” Mozart returned to Salzburg, once again into depression, he and the bishop Crolide more and more cracks. In 1781, his opera “King of Keta, Idomano” (K.366) premiered in Munich, and the King of Munich sincerely invited Mozart to the show. This time, I do not know if the bishop was afraid of the majesty of the king or mercilessly and Mozart’s lawsuit, which had forbidden Mozart from going out, was approved. On January 27, the premiere of the opera was a great success. The news reached Salzburg, but it triggered the bishop’s irritation. He quickly went to Vienna and issued a directive to Mozart: leave Munich immediately and proceed to Vienna. Although Mozart was in the bishop’s office, Vienna’s well-known aristocrats are willing to deal with Mozart, which further stimulated Cloritoro, persecution of him intensified.