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创造现代人物的形象,即斯大林时代的人们的形象,是苏联艺术最崇高而美好的任务。用电影艺术的手段体现出来的社会广义社会中自由而幸福的人的形象,是国外千千万万进步的人们的榜样。他们从他身上学习怎样生活,怎样斗争、怎样工作、怎样爱,以至外表上怎样举动。不但国外的人们向他学习,我们苏联人也向他学习。因此,艺术家就必须在周围人们的性格中敏锐地观察出新的共产主义特徵,以便把运些特徵赋予自己所描写的人物,而使它们为千千万万观众所接受,从而去帮助用共产主义精神教育人们这一工作。艺术作品中所表现出来的现代人物的形象,将永远地成为我们这一时代的活的见证人和代表者。例如,从莎士此亚和提季阿诺的人物身上,我们可以看出文艺复兴时代的人们。例如,屠格涅夫与托尔斯泰,狄更斯与巴尔扎克向我们说明着资产阶级社会的人们。例如在「夏伯阳」中可以清楚地看到内战时期的人们。
The creation of the image of a modern figure, that of the people of Stalin’s time, is the noblest and most beautiful task of Soviet art. The image of a free and happy person in a socially broad society as embodied in the art of cinema and film is an example to the millions of people who have made progress abroad. They learned from him how to live, how to fight, how to work, how to love, and how to act on the outside. Not only do foreign people learn from him, but we Soviet people also learn from him. Therefore, the artist must be keenly aware of the new communist traits among the characters around him in order to give these traits to the characters they describe, and to make them acceptable to tens of millions of viewers, thus helping to use the communists Spirit of education to educate people in this work. The image of the modern figure shown in the work of art will forever be the living witness and representative of our time. For example, from the figures of Shakespearean and Tricorn, we can see Renaissance people. For example, Turgenev and Tolstoy, Dickens and Balzac explain to us the people in bourgeois society. For example, in “Xia Boyang” you can clearly see people during the civil war.